Category Archives: Past Events

Animation Ke Baap Dada: Indian Animation Retrospective

Speakers: VG Samant, Ram Mohan, Bhimsen Khurana
Date: 23 Jan, 2010
Time: 2pm to 6 pm
Venue: Película Auditorium, Whistling Woods Internacional, Film City, Goregaon (E), Mumbai

A trip down memory lane of Indian Animation.

On 23rd Jan, TASI conducted one of its most sought after session –Indian Animation Retrospective at Whistling Woods Internationals’ sprawling campus. The journey into time came alive when the pioneering stalwarts themselves enthused a 400+ strong audience with their anecdotes, trials and tribulations in trying to kick-start the Indian animation industry during the late 50s.

The Indian Animation Retrospective package –the first of its kind, curated by TASI in consultation with the animation community, was presented by the septuagenarian VG. Samant (Director of the indelible animation short “Tree of Unity” -1972 and the first commercial blockbuster feature “Hanuman”) and Mr. Bhimsain (Director of the historic animation short “EK Anek Ekta” and many other award-winning short films). The 3rd pioneer –Ram Mohan could not be present due to a sudden emergency development on the home front. He was sorely missed on this momentous occasion.

The incubation of Indian animation started with the formation of  the “Cartoon Film Unit” at the Government organisation of Films Division in the mid-50s. For the first time, Indian artists got an opportunity to learn the art of animation under the tutelage of Claire Weeks, a Disney animator who came to India under the INDO-US Cultural exchange program. The idea to initiate such an exchange to develop animation in India was mooted by none other than the then PM Jawaharlal Nehru during his visit to Disney Studios. As a direct result of Claire Weeks’ training, the short film “Banyan Deer” was produced in 1957 in India.

The Journey continues to showcase some of Pramod Pati’s stop-motion films. Pramod Pati was a great experimenter, an inspiration as the head of the Films Division in the 60s. In the early 70s short films like “Ek Anek Ekta”, “Swimmy” and “Tree of Unity” became etched in the Indian psyche due to their high exposure on the only available state run television service -Doordarshan. The enthralled and intrigued audience was taken through the entire journey as the veterans spoke about their early days at Films Division, their problems, their undying passion and underlined their determination to succeed despite heavy odds.

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The retrospective journey ends in 1995 with Shilpa Ranade’s award-winning animation short “Mani’s dying” which signaled the beginning of a new era.

Each film was followed by a short discourse by Samant Sir and Bhimsain Sir that brought to light some very interesting behind the scene developments. These first hand accounts of how the films were conceptualized, financed and created including techniques used with and tips and tricks considered path breaking at the time, were most interesting. The one common fact that came to light was that all these people made their films because they loved the medium, still have the same passion and craving for working in the medium and never let monetary considerations dictate their approach.

Reiterating his passion and commitment, VG Samant implored the new generation to look at this medium as an art form, live it, breathe it, love it and practice it with determination and diligence. ‘I am always there for you for whatever help and guidance you need’. Even at this age it was amazing to see him multi-tasking. He came to the TASI session and also had a function at his training institute on the same day.

Senior animator director Mehul Virani (Crest Animation) in the audience inquired as to what was the motivation for these veterans way back in the 50s, especially when the generation today is only concerned about how much money their films will make and how they can capitalise on their creation, Bhimsainji answered, money was and is important, but never became the driver, ‘we never cared about whether our films would make money or not. What was important was that we completed the film and got the audiences to see it. That remains as intoxicating today as it was 40 years ago’. He urged gen next to imbibe expose themselves to other creative art forms as well. ‘Being a student of classical music has immensely helped me in my understanding of the film genre. I am able to practically see the edit points of my film at the conceptualisation stage. Understanding and love of music is an invaluable asset to any animation film maker’, he explained.

The early contribution by the pioneers set up ground for the unprecedented growth of the Industry since the mid-90s. This session was a homage to the contribution of these Gurus. It is a known fact that these three stalwarts have been responsible for mentoring almost all of the leaders of their next generation. This session will be remembered for a long time by all those in attendance.

TASI announced its future sessions for the coming months at the end of the event and requested all those present to keep an check on the website for details that will be updated soon.

Double Dhamaka in March!

Speakers: Prakash Moorthy and Ranjit Singh
Date: March 20, 2010
Time: 10am to 5pm
Venue: Kala Kunj, (Basement of Kala Mandir), 48 Shakespeare Sarani, Kolkata

1. Animation Cinema Appreciation:

An Initiative to take animation closer to domestic audience.

1. Art and cultural History as the history of story telling.

Storytelling as the conveying of events in words, images, and sounds by improvisation and embellishment and as the only means of preservation of any culture. Why everything must be a story to begin with! The class looks at History, Myths, Epics, Politics and the final story of our Universe.

2. History of Cinema and the history of Animation.

“In 1878 Eadweard Muybridge photographed Sallie Gardner (a horse) in fast motion using a series of 24 cameras….” Landmarks in cinema. World animation. Through a comparative study in live and animated cinema, Disney’s Ichabod Crane meets Johnny Depp’s.

3. Appreciation and Criticism of any Art.

Appreciation as understanding the universal and timeless qualities that characterize all art and Criticism as concerning the establishment of a relative artistic value upon individual works with respect to others of comparable style, debating an entire style or movement.

Why is Animation an art? The class looks at classics, their genre, their literature, their styles, their technique of telling and comparing them with modern animation cinema and the new emergent interactive. The sessions will have Audio-visual presentations that include movies to illustrate.

Prakash Moorthy is an alumni and visiting faculty of the prestigious National Institute of Design, Ahmedabad. He holds a Masters degree in Fine Art (MA) from M.S University of Baroda Gujarat and a Diploma (Masters) in Visual Communication, Animation Design, National Institute of Design.

2. Career Options & Future Trends

There’s a lot more to animation than just entertainment. A look at the multitude of opportunities that are available to digital artists. From medical to sports to edutainment and simulation, this session will expose the audience to the various roles / responsibilities and avenues that are available to artists today. There are serious careers out there which a lot of young people don’t know about and people mistakenly feel that animation is only for movies, serials and television.

Ranjit Singh has learnt the craft of animation from the ground up. A veteran of 20 years, he started his career as a trainee and today is a creative producer and animation director. He has worked both with 2d as well as 3d animation for television commercials and episodic series. He is a productivity and project consultant to studios and is currently active in the education and training sphere where he conducts interactive workshops for students as well as faculty. His book on Animation Production Management is due for release shortly. He is a co-founder and presently the Hon. Secretary of The Animation Society of India.

Fur In The Jungle

Speaker: Anand Bhanushali
Date:
27th Feb. 2010
Time: 1 pm to 6 pm
Venue: Bhaikaka Bhavan, Law Garden, Ahmedabad
Day Pass:
Students 50/-
Professionals 100/-

Ever wonder how they create that amazing hair on creatures? This session will explain the entire process of fur creation in a movie production. From exploring optimal pipeline design to R&D, this masterclass will show what it takes to make amazing looking fur that is seen in most animation movies of recent times. The session will be extremely useful for students as well as professionals.

Anand Bhanushali is currently a Technical Director at Krayon Pictures and has been instrumental in developing in-house technology based solutions for their upcoming movie Delhi Safari that has extensive use of realistic fur. The film is directed by Nikhil Advani and co produced by Krayon Pictures and People Tree Films. Anand started his career as a flash animator in 2000 and then progressed to a junior artist at Maya Entertainment Limited. He then moved to Prana Studios as a CG artist and later headed their Character FX Team.

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Animation Ke Baap Dada

Animation Ke Baap Dada
Baap Dada of Animation

So you want to be an animator and want to join the billion dollar industry? Come meet the veterans who started it all. With a cumulative 120 years of practical work experience among them, it doesn’t get any bigger than this.

Meet Bhimsain, Ram Mohan and V G Samant – the stalwarts in an exclusive one-on-one as the pioneers of Indian Animation take you through a journey from the beginning of time in Indian Animation to the present.

Read more about them...
Read more about them…

A candid chat with the Gurus on where we were, where we are and where we’re headed. A no holds barred dialogue on what animation enthusiasts should do to make a career for themselves.

Presenting a retrospective of Indian Animation for the first time ever. Over 40 years of rare films from various archives will be shown with a commentary on their history, little known facts and amusing behind the scene developments.

A rare once in a lifetime experience, definitely not one to be missed.

Date: 23rd Jan. 2010
Time: 2 pm to 6 pm
Venue: Pelicula Auditorium, Whistling Woods International, Film City, Goregaon (East), MUMBAI

Event Supporters

Flip Book Animation Workshop for Kids

Vaibhav Kumaresh, assisted by Mahboob Raja (Head of Animation Production at Vaibhav Studios) conducted a full day flip book making workshop for a group of 40 children from four different NGOs working towards the betterment of the disadvantaged children (NGOs: Aarambh, Doorstep School, Pankhudi Foundation and Vidya). The children were accompanied by their representatives and teachers. The workshop was organized by Mohile Parikh Center, NCPA  Mumbai on Saturday, 19 December, 2009. Continue reading Flip Book Animation Workshop for Kids