*Note: We reserve the right to cancel, modify our events and/or list of speakers without notice. Payment once made is non-refundable. Click here to read.
Showcasing works of several Indian Animation Studios
*Note: We reserve the right to cancel, modify our events and/or list of speakers without notice. Payment once made is non-refundable. Click here to read.
FREE entry for TASI Members. Entry on first come basis. Rights of admissions reserved.
Session Photos
Speaker details:Aditya Chari: Painter, Illustrator, concept artist, he will share his entire journey from his early childhood to becoming a well-known artist. Aditya will showcase his Concept Art work created for Films. Subhra Chartaborty – Director, Founder Animatzione Studio, will present his journey from a Cel-Painter to an Entrepreneur. He will also discuss production pipelines for large scale animation projects including the journey of his studio and the challenges faced on the way. Anand C’kar – Artist, Animator, Sculptor, Philosopher – will showcase his case study on animatics for advertising films and the pre-production process for TV commercials. He will also present his personal illustrations and sculpting work. Vaibhav More – Director Vaibhav More Films – will share information about open-source software and their advantages for smaller studios and individuals. He will also showcase some of the work done in open-source software. (Blender mostly). Sessions will be followed by Q&A with the speakers.
We reserve the right to cancel, modify our events and/or list of speakers without notice. Please read the event details carefully before making your payment. Payment once made is non-refundable. Your payment acknowledgement from our payment service Instamojo is your receipt, please bring it with you to the event for verification at the gates. Digital version is accepted. No other receipt will be issued.
On August 26, The Animation Society of India (Est. 2001), hosted an industry meet at St. Laurn, Koregaon Park, Pune, by inviting animation business owners, industry professionals, academia, hardware and software vendors, gaming and technology companies. The event was attended by some of the key players from these industry verticals from Pune, Mumbai, Bangalore, Kolkata and other major cities of India. Discussions focused around the current and future activities that are essential for the growth of the Indian Animation Visual Effects Gaming and Comics community.
The event also marked the Society’s annual flagship festival plans to becoming a traveling event. Amidst thunderous applause, the advent of Anifest India, a multi-day event organised in Mumbai since its inception in 2005, to Pune was announced. The ensuing round table discussion saw members share their views, suggestions and support towards TASI’s initiatives not only for the upcoming festival, but also for its monthly series of events across the country.
Attempting a paradigm shift in the festival structure, TASI announced that the 2023 edition of this festival will change from the established linear format to a new parallel event format. Multiple sub-venues and breakout rooms will be introduced so that more sessions can be curated over 2 days. These will include simultaneous keynote presentations, attendee engagement, entertainment, art, technology presentations, hands-on workshops and showcasing of highly-acclaimed film and TV shows from across the globe. Specially-curated sessions for parents, children and enthusiasts to introduce career opportunities in the AVGC industry are also planned. Calling upon the entire industry to actively support and participate, Anifest India 23 will have more for everyone including newer opportunities for supporters, tech solutions, interactive installations, stalls and exhibition areas.
The day started with a short introduction by the Founding Trustee of the Society Ranjit (Tony) Singh wherein he spoke about the non-profit and volunteer philosophy of the Society. “Our focus is not to earn money, but to grow the community through sharing,” Singh said.“There are no paid workers in our Society; this organisation is managed by volunteers who are passionate about giving back to the community. The funds we raise are all invested into the community”.
Vaibhav Kumaresh, Hon. Secretary of TASI, shared a visual presentation showcasing the history of the Society and its steady growth over the past 23 years. With over 250 monthly events and 15 annual international festivals and over 45 online sessions during the Covid pandemic, the Society has been steadfast in its mission to foster collaboration and sharing within the community. Its platform has been graced by artists and industry-leading organizations from across the globe.
Staying true to the informal nature of the Society, all attendees introduced themselves. Prominent among them were Shri. Ashish Kulkarni – Chairman FICCI AVGC Committee, Media Entertainment Skill Council, Philm CGI, Company3 Method India, DNEG, GhostVfx, Bakedmoon Studios, Basilic Fly Studio, Godspeed Games, Hi-Tech Animation Studios, HMX Media, Ice Candy, Leetpix, OpenSlateVfx, Paperboat Animation, Reliance Animation, SM Rolling Fx, Toolbox Studios, Robosoft Technologies, Wacom India, Autodesk India, Fox Renderfarm, Rahul Commerce, Arena Animation FC Road, Design Media, DY Patil University School of Design, Frameboxx Swargate & FC Road, Srajan School of Design and Art, Starblast Animation, Times & Trend Academy, Tron, Veda College of Design & Art and Zee Institute of Creative Arts.
Dates, venue and plans for Anifest India 2024, will be announced soon.
Sanjiv Waeerkar
Live Demo & Discussion
Sanjiv is a well known animation director and founder of ICE CANDY Studio, Mumbai. He is the creator of various animated TV Series. Apart from being an established director, Sanjiv is passionate about drawing. He loves to explore character designs and illustrations using ink on paper.
In this session we will explore Sanjiv’s artistic journey and his working style.
With over 2 decades in the animation industry, Veerendra is one of India’s most influential creative executives. He co-founded Paprikaas Animation Studios (now transformed into Technicolor India) & Xentrix Studios, building them up to teams of 1000+ artists. He has delivered over 2000 hours of TV, DVD, Feature Films, Games and Ride Films. As the Head & Creative Director, he has played a pivotal role in transforming the Indian Animation scene and bringing Technicolor, DreamWorks, EA, Rockstar, MPC & others to India. He now runs Zebu Animation Studios as Founder/ Creative Director and is currently fulfilling his lifelong dream of creating 3 original IP’s with Indian inspirations and a universal allure. Ultimately, the heartwarming sound of his two children’s laughter as they watch the shows he helps make, is his biggest reward.
Another venture close to his heart is the Datsi Foundation. Founded on the audacious idea of bridging industry and academia, the Datsi School for Storytellers serves as a community of collaborators, innovators, and artists dedicated to pushing the boundaries of storytelling in the digital and transdisciplinary space.
The school , launched in July 2023, offers short-term courses tailored to artists of varying skill levels, enabling them to gain an edge in their careers while offering a holistic learning experience. Since May 2023, Datsi has already hosted several creative workshops, 25 events across southern India, with a footfall of 1500 students, and plans to organise more events in the coming year, aspiring to establish itself as a global creative hub.
Meet the man behind some amazing big screen films such as Bhediya, Munjha & Stree 2. A great storyboard and concept artist with passion for comics and storytelling. An inspiring story of a hard-working individual. Learn about work ethics. He is based in Mumbai and works as a freelance illustrator/concept artist. He has created illustrations and animation for Virgin comics, Grey worldwide, Lowe, Publicis ambience, Mtv, Vh1, Saatchi & Saatchi, Hungama TV etc.
After earning a degree in Animation Film Design from National Institute of Design, Ahmedabad, he’s worked for a large variety of clients. He and a handful of friends ran the animation studio ‘Ghost’ in Kolkata for several years, and is now running ‘Nalloru Studio’ in Thrissur.
He likes to experiment with mixed media, including traditional and digital techniques of animation, illustration, 360 videos, projection mapping, interactive media, etc. He’s interested in finding ways in which technology and art can mix, and telling stories rich in local contexts.
Shaheen made the animated short film ‘Watchmaker at Time’s End’ using only open source tools, and developed workflows using them. Currently he’s making the hand-drawn video game ‘I Can Human’ about a robot reconnecting with his feelings and with others.
Vivek Ram and Santosh Sawant are well-known and accomplished artists of the Indian animation industry. With a collective experience of more than 30 years as animation directors -Vivek and Santosh are highly philosophical about their approach to animation and the importance of proper animation education.
Both believe in discipline & work ethics; and the value of the traditional way of learning. In this session they will share their perspective towards creativity and the required dedication to the craft.
CEO at Triodoxic Digital Studios | Mobile & Pc games, Immersive Technologies, Gamification, 3D Animation, Photogrammetry.
Anukul’s leadership synthesizes over two decades of experience with a passion for delivering high-quality digital art for the entertainment industry. His expertise spans from AAA Game Assets to Advanced VR/AR applications, ensuring immersive experiences that redefine user engagement.
Creative heads of PHILM CGI, Pune; Kanchi & Sumit will present the amazing behind the scenes of this movie. A deep dive into the actual process of animation production with interesting insights.
Kanchi and Sumit will take you through a step-by-step look at the production pipeline employed for the animation and vfx created for this Imtiaz Ali movie, featuring Diljit Dosanj and Paritneeti Chopra.